Captain Brian Trilogy

Books in the Trilogy are sequential, spanning nearly a decade. The award-winning Greater Trouble in the Lesser Antilles is a good place to start, but each book stands on its own.

Friday, February 2, 2018

Cultural Perversity


Nothing says cultural diversity, as does language. Last count shows the world’s 7.5 billion people speak 6909 languages. The vast majority of China’s 1.3 billion speak Mandarin. Spanish and English are the next most popular. There’s nothing remarkable about speakers of these languages unless one locates a Chinese-speaking population in Tierra del Fuego or a Spanish-speaking settlement in Greenland.

Students in public schools in my old hometown speak barely more than 100 languages. Are more languages required for diversity in the city’s public schools? Does it matter? Me, I’m pretty satisfied with Lao Tzu’s Chinese, Gabriel García Márquez’s Spanish, and Bob Dylan’s English.

Would my life be enriched reading a text written in one of the 832 languages spoken in Papua-New Guinea? Maybe yes, maybe no. It would have no doubt enriched Margaret Mead’s or the research of someone of her ilk and trickled down to mainstream society where it might become relevant.

Where foreign languages strut their stuff is when they provide a word that doesn’t exist in another language, such as the German gemütlichkeit, which has no direct translation to English. Inuit terms for snow and ice (Smilla’s Sense of Snow comes to mind) fill another vacuum in English.

George Orwell’s Newspeak, used rectify to describe the deliberate “correction” of the past. His word isn’t commonly used in that context, which is not to say that correcting the past hasn’t become a cottage industry among what used to be the nation’s “progressives,” something they picked up from the Russians, those sly commies able to disappear places as well as people. Not to be outdone, Trump stole his campaign slogan—Make America Great—from Il Duce, after translating it from Italian.

In today’s zeitgeist of revisionism, the Monument Removal Brigade defaced the equestrian statue of the “white supremacist” Theodore Roosevelt at the American Museum of Natural History, in Manhattan. Apparently the Brigade was unable to get a hold of enough dynamite to blow up Mount Rushmore.

Closer to home (my home), Minneapolis has determined that Lake Calhoun, named for John C. Calhoun, who sent the Army to survey the area around Fort Snelling, in 1817, is no longer deserving of such an honor. It has renamed the lake Bde Maka Ska, which rolls off the tongue like a cube of granite. Perhaps place names don’t bother Native Americans, but how about when a place name becomes something more—Manhattan Project, for instance.

Over dere in NoDak, where fans of the Fighting Sioux toss dead gophers on the ice when playing Minnesota in hockey, they’ve had their own issues. Sioux is derived from the Ojibwe word that means “little snakes.” I understand why the Lakota take offense, but it isn’t the offensive word, it’s the offense of using a Native-American mascot. Evidently they’ve been shocked, shocked that an athletic team would want to associate itself with losers like Sitting Bull and Geronimo. Funny, but when searching for a new name, 7th Cavalry wasn’t one of them. It didn’t even make the shortlist when Fighting Hawks was selected.

Which brings me to Notre Dame and the Fighting Irish. Isn’t it odd that racism doesn’t cross the color line?

Friday, January 19, 2018

Vonnegut's Eight Writing Rules

  1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  2. Give the reader at least one character he or she can root for.
  3. Every character should want something, even if it is only a glass of water.
  4. Every sentence must do one of two things--reveal character or advance the action.
  5. Start as close to the end as possible.
  6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them--in order that the reader may see what they are made of.
  7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Vonnegut put down his advice in the introduction to his 1999 collection of magazine stories, Bagombo Snuff Box