- Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
- Give the reader at least one character he or she can root for.
- Every character should want something, even if it is only a glass of water.
- Every sentence must do one of two things--reveal character or advance the action.
- Start as close to the end as possible.
- Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them--in order that the reader may see what they are made of.
- Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
- Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

“Charles Locks has signaled his arrival in the land of Carl Hiassen, Tim Dorsey, James W. Hall, and Les Standiford with Greater Trouble in the Lesser Antilles, a story with the kind of murder and romance that my readers can’t get enough of.” —Mitchell Kaplan, Books and Books, Coral Gables, Florida (former president of the American Booksellers Association)
Captain Brian Trilogy
Books in the Trilogy are sequential, spanning nearly a decade. The award-winning Greater Trouble in the Lesser Antilles is a good place to start, but each book stands on its own.